Artist: Lucien Clergue, French (1934 - )
Title: Nude #4
Medium: Gelatin Silver Print Photograph, signed and numbered in marker
Edition: 50
Paper Size: 23 x 8.25 inches
A native of Arles, France, Lucien Clergue is a fine-art photographer, author, educator and filmmaker. His work has been associated with some of France's most significant artists, intellectuals, and musicians including Jean Cocteau, Pablo Picasso, Roland Barthes, and the Gypsy Kings. Clergue's work has been published in numerous books and exhibitions.
Lucien Clergue first discovered the power of the camera in his difficult adolescence. He witnessed the destruction of his family's house by WWII bombs, and suffered the prolonged illness and death of his mother. He has spent much of his career taking photos that express loss, death and decay. He is known for his female nude torsos from the mid '50s - '70s and bullfight images from the Arles arena, where he met Pablo Picasso, a strong supporter of his early work. His later work turned to organic abstractions of sand, lace, etc. His work has been influenced by mythology, adventure and what he calls "the mentality of the Mediterranean man." In 1969 he established the Recontres Internationales de la Photographie at Arles.This event has continued to grow and is considered on of the most important art festivals in the world. His wife established the Vincent Van Gogh Foundation, a museum of contemporary art in homage to Van Gogh, in Arles.
Clergue is the founder of the Recontres Internationales de la Photographie, Europe's major photography conference and showcase, in his native Arles, France. While Clergue's work has been exhibited worldwide and included in the collections of many major museums, UCR/California Museum of Photography's exhibition Signs of Gods and Goddesses will be his premiere West Coast retrospective exhibition.
Over the decades Clergue has enjoyed world-wide success with exhibitions across Europe and North America. Clergue received his doctorate at the University of Provence, Marseilles under the direction of Roland Barthes in 1979. He has taught at such institutions as the New School of Social Research; conducted countless workshops on photographic technique, particularly dealing with the nude; published a number of art volumes and been the subject of many museum catalogs.
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