Friday, 20 March 2009

THERE IS NO SANTA!

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Pablo Neruda - Sonnet 17

Sonnet 17

I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.

I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.

I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way

in which there is no I or you
so intimate that your hand upon my chest is my hand
so intimate that when you fall asleep it is my eyes that close

Pablo Neruda

Brave New World by Aldous Huxley


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Chapter One

A SQUAT grey building of only thirty-four stories. Over the main entrance the words, CENTRAL LONDON HATCHERY AND CONDITIONING CENTRE, and, in a shield, the World State's motto, COMMUNITY, IDENTITY, STABILITY.

The enormous room on the ground floor faced towards the north. Cold for all the summer beyond the panes, for all the tropical heat of the room itself, a harsh thin light glared through the windows, hungrily seeking some draped lay figure, some pallid shape of academic goose-flesh, but finding only the glass and nickel and bleakly shining porcelain of a laboratory. Wintriness responded to wintriness. The overalls of the workers were white, their hands gloved with a pale corpse-coloured rubber. The light was frozen, dead, a ghost. Only from the yellow barrels of the microscopes did it borrow a certain rich and living substance, lying along the polished tubes like butter, streak after luscious streak in long recession down the work tables.

Continue here




HOME
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Huxley Hotlinks
Superhappiness?
The Plains of Heaven
The Abolitionist Project
Aldous Huxley Photogallery
The Reproductive Revolution
Who's Who in Brave New World
A Defence of Paradise-Engineering

Brave New World (1980)


This 3-hour TV adaptation of the 1932 Aldous Huxley novel is set 600 years in the future. In this "well- ordered" society, the citizens are required to take mind-controlling drugs, sex without love is compulsory, and test-tube babies are commonplace because of a ban on pregnancy. Keir Dullea heads the cast as Thomas Grahmbell, "director of hatcheries". Not everybody is satisfied with society's lack of humanity and feeling; the loudest dissidents are free-thinking poet Heimholtz Watson (Dick Anthony Williams) and brilliant oddball Bernard Marx (Bud Cort). An injection of new "old" ideas are brought in by "primitive" John Savage (Kristoffer Tabori), who lives on an Indian reservation which still honors 20th century values. Meanwhile, Linda Lysenko (Julie Cobb) becomes a natural mother--and in so doing becomes a criminal. In keeping with the style of the original book, the script's newly-minted characters are given names of pop-culture icons (Disney, Maoina, Stalina, and so on). Brave New World was first telecast March 7, 1980. ~ Hal Erickson, All Movie Guide

Alan Watts - A Conversation With Myself


A 1971 television recording with Alan Watts walking in the mountains and talking about the limitations of technology and the problem of trying to keep track of an infinite universe with a single tracked mind. Video posted by Alan's son and courtesy of alanwatts.com.

Alan Watts Lectures and Essays

Flash Animated Philosophy From South Park Creators

Trey Parker, one of the creators of South Park, was raised in Colorado, where his father attempted to teach him Buddhism. Now, years later, Parker and his animation pal Matt Stone have brought to life the teachings of Alan Watts, the comparative religion expert and philosopher. Under the FurryCarlos Productions banner, the two tapped South Park animators Chris Brion and Todd Benson to keyframe three of Watts’ recordings, which can be viewed below.

Life and Music


Prickles and Goo

Appling

I believe two more Watts recordings were animated by this team, but there are no credits - Madness and I.

Beatle Juice

Thursday, 19 March 2009

Rod Serling action figure



There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area which we call "The Twilight Zone"

Captain Toy

Wednesday, 18 March 2009

Snob Obama

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Grand Theft Childhood

Breakthrough Harvard Video Game Study:
Are We Worried About The Wrong Things?

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Despite the media hype and political posturing, new, federally funded research on violent video games and teenagers indicates that the politicians and even some health professionals may have it all wrong!

More here

Renée Perle



Renée Perle (...-1977) Artist Born in Romania, date and place unknown; died in the South of France in 1977. Renée Perle, a Romanian Jewish girl who moved to Paris, is famous as the first muse of the French photographer Jacques Henri Lartigue (1894-1986), who is considered one of the leading photographers of the 20th century.

Renée lived with Lartigue as his girlfriend, having met him in 1929 or 1930 on the Rue de la Pompe. He thought she was Mexican, but he guessed wrong; Perle was Romanian, and a model once employed by the French dressmaker Doeuillet. "She is beautiful," Lartigue told his diary. "The small mouth with the full painted lips! The ebony black eyes. From under her fur coat comes a warmth of perfume. The head looks petite on her long neck."

The pair spent two years together, cavorting as if on eternal vacation in Cannes, Juan-les-Pins, and Biarritz, with Lartigue's camera always at the ready. In the "shadowless heaven" of his photographs, glamorous women, including his first and second wives, Bibi and Florette, abound, but Perle's lacquered hair, slender silhouette, modern T-shirts, armfuls of bangles, and talonlike nails shone the brightest. "Around her," Lartigue wrote, "I see a halo of magic." Her spectacular beauty inspired some of his best photographs.

Renée also painted, and a large number of her quaint and naive self-portraits are seen in some Lartigue photos. They do not show much mastery of artistic technique, but they have a strange fascination, perhaps because they show something approaching a manic-compulsion by Renée to paint her own face on canvas over and over, almost without end. There have been many efforts to find one of these portraits, as a specimen, but so far with no success. Renée's step-daughter has an oil portrait of her step-mother, but everything else which had been carefully preserved by Renée was dispersed in 2000 and 2001 in two famous Paris sales by Tajan.

Beautiful Darling

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Beautiful Darling, a documentary film, pays tribute to the short but influential life of an extraordinary person -- the actress Candy Darling, born James Slattery in a Long Island suburb in 1944. Drawn to the feminine from childhood, by the mid-Sixties James had become Candy, a gorgeous, blonde aspiring actress and well-known downtown New York figure. Candy's career took her through the raucous and revolutionary Off-off-Broadway theater scene and into Andy Warhol's legendary Factory. There she became close to Warhol and starred in two Factory movies that still shock and amuse today: Flesh and Women in Revolt. Candy used her Warhol fame to land further film roles, and her admirer Tennessee Williams cast her in his play Small Craft Warnings. She dreamed of becoming a Hollywood star, but tragically died of lymphoma in the early Seventies, at only twenty-nine.

Candy's beauty, humor, and early death, the guts it took to live as a woman, the glamorous parties and the famous friends -- most of all the strength of will she demonstrated in her remarkable act of self-creation -- moved those who knew her in her lifetime and continue to gather fans today. It's a story of wild, creative times and of audacious people, but one that has a theme inspiring for anyone, anywhere: whatever the obstacles, be true to yourself.

Snow White

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It's Always Midnight Somewhere


It's Always Midnight Somewhere Gregory James

threadless

Rock musicians at home with their parents

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Rock musician Frank Zappa w. hs parents Francis and Rosemarie in his living room.
Source: LIFE

Andrew Archer

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Illustration for Linda Mc'Larens article about the bad girls of fashion.

Andrew Archer

Getting a leg up in Porn

Getting a leg up in Porn

Warning: this is not safe for work and not recomended for any kiddies, but for the rest of you, it is bloody funny :) It’s a spoof of those old eductational / instructional films. Complete with fake moustaches, all-knowing narration and the latest 1970s technology, it demonstartes how a young, naive farm girl can become a seasoned bukkake-taking professional!

The short “Getting a leg up in Porn”, was second-place winner at last year’s HUMP festival, Seattle’s best (and only) amateur porn contest. I’ve not been able to find any info on who made it though…

If you want to see it online and don’t mind visiting a porn site… click here »

If not, I found a quicktime version while looking for who made it, which you can download here » (it’s much better quality too).

The use of the Mousetrap (pictured) to deliver a cum shot made me fall off my chair.

Via: Made in England

Manorbier surfer gul

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Recently spotted in Manorbier eyeing up the locals in the line-up.

Way Out West Tim

Grip Wrench - The Man

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Rex’s animated series Grip Wrench is now online! All 10 episodes are on there, featuring Hollywood hardman, Vietnam veteran and fearless patriot - Grip Wrench.

Tyler Stout

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It looks like Tyler Stout gets a lot of work out of The Alamo Drafthouse Cinema, making classic movie posters for them. Hope they pay well, because they’re painstakingly drafted and super detailed, must of taken an age to create each one.

Where the Wild Things Are Poster!

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The new poster for director Spike Jonze's Where the Wild Things Are has debuted in Nick Magazine and can be viewed above. Featuring Catherine Keener, Max Records, Mark Ruffalo, Lauren Ambrose, James Gandolfini, Catherine O'Hara and Forest Whitaker, the big screen adaptation of Maurice Sendak's classic book hits theaters on October 16.

Tuesday, 17 March 2009

Death Switch Sends Out Emails Upon Your Demise

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Do you want to be sure that your final messages and missives are heard? Death Switch is a service which sends out emails upon your unfortunate demise.

Why would you want to do such a thing? The company's web site points out a variety of potential reasons, like not leaving your coworkers and family high and dry without important passwords or information and getting a secret off your chest now that you're gone. Over at the CNET news blog Technically Incorrect they highlight another potential use of the service: The ability to contact people you don't have real life contact with after your death. You could set up the service to send out emails to members of mailing lists, gaming guilds, discussion boards, and other virtual communities you participate in.

The basic service is free and includes a single email. The pay service, $20 a year, allows you to compose up to 30 emails with 10 recipients each. Only the pay service allows you to include attachments. Death Switch determines when to send out the messages by sending out messages to you on a regular basis. If you fail to respond to enough of those messages in a row, the emails are mailed out. What say you dear readers? A novel way to wrap up your virtual life after death or a bit too creepy?

Death Switch

Venus of Willendorf

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The most famous early image of a human, a woman, is the so-called "Venus" of Willendorf, found in 1908 by the archaeologist Josef Szombathy in an Aurignacian loess deposit in a terrace about 30 meters above the Danube river near the town of Willendorf in Austria.

Women in Prehistory

Metamaterial Revolution: The New Science of Making Anything Disappear

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Xiang Zhang remembers the day he recognized that something extraordinary was happening around him. It was in 2000, at a workshop organized by DARPA (the Defense Advanced Research Projects Agency) to explore a tantalizing idea: that radical new kinds of engineered materials might enable us to extend our control over matter in seemingly magical ways.

More here

Fleet Foxes - Drops in the River

Happy St. Patrick's Day!


Who Was St. Patrick?

St. Patrick, the patron saint of Ireland, is one of Christianity's most widely known figures. But for all his celebrity, his life remains somewhat of a mystery. Many of the stories traditionally associated with St. Patrick, including the famous account of his banishing all the snakes from Ireland, are false, the products of hundreds of years of exaggerated storytelling.

Taken Prisoner By Irish Raiders

It is known that St. Patrick was born in Britain to wealthy parents near the end of the fourth century. He is believed to have died on March 17, around 460 A.D. Although his father was a Christian deacon, it has been suggested that he probably took on the role because of tax incentives and there is no evidence that Patrick came from a particularly religious family. At the age of sixteen, Patrick was taken prisoner by a group of Irish raiders who were attacking his family's estate. They transported him to Ireland where he spent six years in captivity. (There is some dispute over where this captivity took place. Although many believe he was taken to live in Mount Slemish in County Antrim, it is more likely that he was held in County Mayo near Killala.) During this time, he worked as a shepherd, outdoors and away from people. Lonely and afraid, he turned to his religion for solace, becoming a devout Christian. (It is also believed that Patrick first began to dream of converting the Irish people to Christianity during his captivity.)

Guided By Visions

After more than six years as a prisoner, Patrick escaped. According to his writing, a voice-which he believed to be God's-spoke to him in a dream, telling him it was time to leave Ireland.

To do so, Patrick walked nearly 200 miles from County Mayo, where it is believed he was held, to the Irish coast. After escaping to Britain, Patrick reported that he experienced a second revelation-an angel in a dream tells him to return to Ireland as a missionary. Soon after, Patrick began religious training, a course of study that lasted more than fifteen years. After his ordination as a priest, he was sent to Ireland with a dual mission-to minister to Christians already living in Ireland and to begin to convert the Irish. (Interestingly, this mission contradicts the widely held notion that Patrick introduced Christianity to Ireland.)

Bonfires and Crosses

celtic cross

Familiar with the Irish language and culture, Patrick chose to incorporate traditional ritual into his lessons of Christianity instead of attempting to eradicate native Irish beliefs. For instance, he used bonfires to celebrate Easter since the Irish were used to honoring their gods with fire. He also superimposed a sun, a powerful Irish symbol, onto the Christian cross to create what is now called a Celtic cross, so that veneration of the symbol would seem more natural to the Irish. (Although there were a small number of Christians on the island when Patrick arrived, most Irish practiced a nature-based pagan religion. The Irish culture centered around a rich tradition of oral legend and myth. When this is considered, it is no surprise that the story of Patrick's life became exaggerated over the centuries-spinning exciting tales to remember history has always been a part of the Irish way of life.)

Happy St. Patrick's Day! Doodle designed by Doodle 4 Google Ireland winner Evan O'Sullivan Glynn

John Lennon - In His Own Write



No Flies On Frank

There were no flies on Frank that morning - after all why not? He was a responsible citizen with a wife and child, wasn't he? It was a typical Frank morning and with an agility that defies description he leapt into the bathroom onto the scales. To his great harold he discovered he was twelve inches more tall heavy! He couldn't believe it and his blood raised to his head, causing a mighty red colouring.
'I carn't not believe this incredible fact of truth about my very body which has not gained fat since mother begat me at childburn. Yea, though I wart through the valet of thy shadowy hut I will feed no norman. What grate qualmsy hath taken me thus into such a fatty hardbuckle.'
Again Frank looked down at the awful vision which clouded his eyes with fearful weight. 'Twelve inches more heavy, Lo!, but am I not more fatty than my brother Geoffery whise father Alec came from Kenneth -- through Leslies, who begat Arthur, son of Eric, by the house of Ronald and April -- keepers of James of Newcastle who ran Madeline at 2-1 by Silver Flower, (10-2) past Wot-ro-Wot at 4/3d a pound?'
He journeyed downstairs crestfallen and defective -- a great wait on his boulders -- not even his wife's battered face could raise a smile on poor Frank's head -- who as you know had no flies on him. His wife, a former beauty queer, regarded him with a strange but burly look.
'What ails thee, Frank? she asked stretching her prune. 'You look dejected if not informal,' she addled.
"Tis nothing but wart I have gained but twelve inches more tall heavy than at the very clock of yesterday at this time -- am I not the most miserable of men? Suffer ye not to spake to me or I might thrust you a mortal injury; I must traddle this trial alone.'
'Lo! Frank -- thous hast smote me harshly with such grave talk -- am I to blame for this vast burton?'
Frank looked sadly at his wife -- forgetting for a moment the cause of his misery. Walking slowly but slowly toward her, he took his head in his hands and with a few swift blows gad clubbed her mercifully to the ground dead.
'She shouldn't see me like this,' he mubbled, 'not all fat and on her thirtysecond birthday.'
Frank had to het his own breakfast that morning and also on the following mornings.
Two, (or was it three?) weeks later Frank awake again to find that there were still no flies on him.
'No flies on this Frank boy,' he thought; but to his amazement there seemed to be a lot of flies on his wife -- who was still lying about the kitchen floor.
'I carn't not partake of bread and that with her lying about the place,' he thought allowed, writing as he spoke. 'I must deliver her to her home whore she will be made welcome.'
He gathered her in a small sack (for she was only four foot three) and headed for her rightful home. Frank knocked on the door of his wife's mothers house. She opened the door.
'I've brought Marian home, Mrs. Sutherskill' (he could never call her Mum). He opened the sack and placed Marian on the doorstep.
'I'm not having all those flies in my home,' shouted Mrs. Sutherskill (who was very houseproud), shutting the door. 'She could have at least offered me a cup of tea,' thought Frank lifting the problem back on his boulders.

In His Own Write

Withnail and I (1987)

A very British tale of down-and-out actors and epic drinking



Withnail and I tells the story of two out-of-work actors and roommates in England, circa 1969. They aren’t really actors so much as boozing druggies, or perhaps more accurately druggy boozers. Either way, they don’t do much acting and do do a lot of drinking and drugs. "I" is actually Marwood (identified only in the script as such) played by Paul McGann. He narrates the film. Withnail, played by Richard E. Grant, is the more eccentric of the two. While "I" is responsible, Withnail is the cowardly King of vice.

Losing their minds in the poverty and cold of the city, they go for a weekend in the country to refresh themselves. Withnail’s Uncle Monty has lent them the keys to a country house. Problems soon arise and the comedy begins.

The film is a character drama whose comedy flows naturally from the eccentricities of the characters. At times, this approach leads to clichéd, sitcom-like humor because of the material's familiarity. Not everyone is (or has been) a drunk, but we have all certainly known one.

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A fine example of this natural comedy is in the brilliant performance of Richard Griffiths as Uncle Monty, the classic aging British homosexual. His lines derive their comedy from the coloring his character gives them. "I think the carrot infinitely more fascinating than the geranium. The carrot has mystery. Flowers are essentially tarts. Prostitutes for the bees. There is you'll agree a certain je ne se quoi oh so very special about a firm young carrot," he says and we know things beyond just horticulture are going on here.

Withnail and I contains Grant’s career-making performance (he would go on to become the nutty British character actor of choice for Hollywood). Withnail's desperation for food and work is matched and defeated only by his quest for liquor. After spitting, he remarks, "Jesus, look at that. Apart from a raw potato, that's the only solid to have passed my lips in the last sixty hours." And, after applying deep heat to his entire body, "How can it be so cold in here? It's like Greenland in here. We've got to get some booze. It's the only solution to this intense cold. Something's got to be done. We can't go on like this. I'm a trained actor reduced to the status of a bum!" He then knocks back a bottle of lighter fluid.



McGann shines in his underplayed way as well. His desperation, loss, and growing realization that he’s living the wrong life stand as one of the best "coming-of-age" depictions put on film. He may not have the best dialogue, outside of the famous "my thumbs have gone weird," but he carries the film as its center.

The real star, however, is writer and director Bruce Robinson. This was his first film as director after scripting The Killing Fields. His dialogue is fantastic throughout. It is not the usual one-voice-through-a-thousand-mouths situation, as each character has a distinct sound and rhythm. A case in point is Ralph Brown’s Danny with his fumbling, numb lips and his lines with their pompous stupidity: "I don't advise a hair cut man. All hairdressers are in the employment of the government. Hair are your aerials. They pick up signals from the cosmos and transmit them directly into the brain. This is the reason bald-headed men are uptight."

For a first-time director, Robinson’s camera is surprisingly assured, interchanging close-ups with medium and long shots for emphasis. The photography of the countryside is at times staggeringly beautiful and this may mostly be due to cinematographer Peter Hannan.

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Hannan oversaw the Criterion Collection’s DVD transfer of Withnail and I. The print can be grainy but this comes from the original low-budget production. Yet, the graininess works well to reflect the terrible condition of the characters’ lifestyles. The DVD also includes a documentary on the film called Withnail and Us. It runs about 30 minutes and is more celebratory than informative. Artist Ralph Steadman provides a limited edition poster and some pre-production photographs.

Withnail & I Script
Withnail & I Drinking Game

Tyson

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Tyson is acclaimed indie director James Toback’s stylistically inventive portrait of a mesmerizing Mike Tyson. Toback allows Tyson to reveal himself without inhibition and with eloquence and a pervasive vulnerability. Through a mixture of original interviews and archival footage and photographs, a startlingly complex, fully-rounded human being emerges. The film ranges from Tyson’s earliest memories of growing up on the mean streets of Brooklyn through his entry into the world of boxing, to his rollercoaster ride in the funhouse of worldwide fame and fortunes won and lost. It is the story of a legendary and uniquely controversial international athletic icon, a figure conjuring radical questions of race and class. In its depiction of a man rising from the most debased circumstances to unlimited heights, destroyed by his own hubris, TYSON emerges as a modern day version of classic Greek tragedy.

WHAT IS IT?


Click image above for trailer

Known for creating many memorable, incredibly quirky characters onscreen as an actor, Glover's first effort as a director will not disappoint fans of his offbeat sensibilities and eccentric taste. Featuring a cast largely comprised of actors with Down's Syndrome, the film is not about Down's Syndrome. Glover describes it as "Being the adventures of a young man whose principal interests are snails, salt, a pipe and how to get home as tormented by an hubristic racist inner psyche." In addition to writing and directing WHAT IS IT?, Glover also appears in the film as an actor in the role of "Dueling Demi-God Auteur and The young man's inner psyche." Actress Fairuza Balk voices one of the snails.

crispinglover.com

What's up, Joaquin?

Last month a rambling and bearded Joaquin Phoenix shambled on to David Letterman's chat show and announced he was quitting movies to go into music. Is one of Hollywood's finest actors losing the plot, or is it just a reality show stunt? John Patterson reports
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Joaquin Phoenix performs at a nightclub at the Fountainbleau Hotel in Miami. Phoenix jumped off the stage and fought an audience member who was heckling him. Photograph: Seth Browarnik/AP

Looking like a demented combination of Jeff Lebowski, the Unabomber and Hassidic reggae-rapper Matisyahu, Joaquin Phoenix has lately been making me ashamed that we share the same initials. The abrupt announcement of his plans to retire from making movies "to concentrate on his music career" came during the PR campaign for his latest movie, Two Lovers, which critics unanimously agree contains some of the finest acting of Phoenix's career. If I were director James Grey and my movie had been upstaged like this, I'd be furious.

More here

Alice in Sunderland by Bryan Talbot

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Imagine having dinner with the most clever, well-read, entertaining person you know, a committed historian and accomplished raconteur, with a thousand interests and the ability to manipulate multiple stories and ideas like an expert juggler balancing a thousand plates on spinning sticks, and you have some idea of what Alice in Sunderland is like. Except that, instead of being limited to the spoken word, your dinner companion has access not only to the traditional graphic novelist's arsenal of words, pictures and colours, but also to a modern Photoshop-driven array of visual magic tricks that can combine images from dozens of periods and modify them to fit the narrative being told. A candidate for "greatest graphic novel of all time", Bryan Talbot's Alice in Sunderland is certainly the most ambitious.

Bryan Talbot Fanpage

The origins of Watchmen

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In pictures: The origins of Watchmen

Ban them! How Pete and Dud fell foul of the law yet still escaped prosecution

• 1970s DPP files reveal Derek and Clive furore
• Police wanted comics prosecuted for obscenity

Peter Cook and Dudley Moore as Derek and Clive, who 'made your average stag club compere sound like the Pope'


Derek & Clive: Kirk Douglas’ Snails - This Bloke Come Up To Me

An entirely different, bootleg recording of “The Worst Job I Ever Had”, which soon descends into the Dudley Moore sweary-cuntathon that is “This Bloke Come Up To Me”.
The Establishment - Derek & Clive


It started out as a private joke between Peter Cook and Dudley Moore but within a few years no fewer than four British police forces were demanding the two comics be prosecuted for obscenity.

The infamous "Derek and Clive" tapes recorded in ad-libbed late night sessions in New York in 1973 included a series of scabrous, foul-mouthed sketches which were described at the time as "making your average stag club compere sound like the Pope."

Files from the director of public prosecution released this week by the National Archives at Kew reveal that the tapes provoked complaints from police forces across England demanding they be banned.

Cook and Moore created Derek and Clive to distinguish the X-rated sketches from their more wholesome Pete 'n' Dud Not only ... but Also routines. Bootlegs began to circulate and it was said that by 1975 the Rolling Stones, Led Zeppelin, and the Who all had copies.

In the most memorable of the sketches, the Worst Job I Ever Had, Clive [Cook] claims he once nursed Jayne Mansfield through an affliction he referred to as "lobstericimus bumbequissimus" - removing lobsters from her rectum. Chris Blackwell's Island records finally got up the nerve to put out Derek and Clive (live) in Britain. The warning on its sleeve that "this record contains language of an explicit nature that may be offensive and should not be played in the presence of minors" did little to forestall the outrage.

As the newly released DPP files disclose, the first complaint to reach then home secretary, Merlyn Rees, came from Dennis Jude of Kegworth, near Derby, who complained to his MP Dr John Cronin, after reading about the impending album release in his 14-year-old daughter's copy of the New Musical Express. He had discussed with a personal friend, Kenneth Dowling, then an assistant director of public prosecutions, who "was as upset as I was that such rubbish should be made public."

Jude demanded to know if some legal constraint could be put on "these two adolescents to prevent publication of this rubbish. Although we can remember our own fourth form forays into this type of outpouring, open publication these days seems to suggest that we condone it if we do not kick up a fuss, and can then withstand the ridicule that such purveyors will doubtless pour upon us. I have also sent a copy to Mrs Mary Whitehouse who seems alone to be brave enough to stand up to public filth." The Home Office referred his letter to the DPP.

The second complaint came from the West Yorkshire obscene publications squad who also endorsed the complaints of a parent of another 14-year-old girl who subscribed to the NME. PC Wilson felt that the NME article itself should have been banned and it appears the assistant chief constable of West Yorkshire felt it was worth forwarding his judgment to the DPP.

Next up was the Wolverhampton obscene publications squad. Sgt David Wilson had especially gone along with WPC Veronica Reynolds to make a "test purchase" of Derek and Clive (live) at Sundown Records in Wolverhampton. They had taken it back to the station and listened to both sides.

"In my opinion it is of an obscene and offensive nature," he told the DPP. A judgment endorsed by his Wednesbury divisional inspector who had also surprisingly taken the trouble to listen to the LP. The files show that Scotland Yard also pressed for prosecution after an advert for the bootleg tape appeared in a West End theatre programme.

The DPP's office listened to the album. One official said he had listened to the "worst" parts - Jayne Mansfield's lobsters (rather funny but too long). The case officer, Graham Grant-Whyte said: "It is crude - 'fourth form lavatory humour' - excretory topics abound as does foul language."

Derek and Clive had escaped prosecution. But the BBC banned it, and the album went on to sell more than 100,000 copies - it was said mainly to adolescent boys - in Britain and America and revitalised the two comics' reputation for youthful rebelliousness.

Source: Guardian

Derek and Clive torrent

Monday, 16 March 2009

The 21 Steps, by Charles Cumming (digital fiction)

March 23, 2008 by Simon Appleby

The 21 Steps - screenshotPenguin have launched a new site called We Tell Stories - subtitled Six Stories, Six Authors, Six Weeks - which is designed to showcase digital fiction. Each of the stories is a homage to a Penguin Classic, and the first is The 21 Steps, by Charles Cumming, which in title and style is obviously inspired by John Buchan’s classic The 39 Steps (which I admit that I have not yet read).

What makes this first story innovative is that is essentially a mash-up of a simple linear adventure story with Google Maps. The text appears in bubbles attached to points on the map (occasionally you get richer content, such as a text message actually shown on the display of a mobile phone, or a photo of what the narrator is describing), and as you click the links to move the story forward (there is a lot of clicking), the narrator’s journey is plotted on the map. As you switch from chapter to chapter, the style and scale of the maps change. This can be quite exciting at first - it starts in the new St Pancras International station (which I liked because they used to be a client of mine!) - but when the action is all set in one building, for example an Edinburgh hotel, it seems a bit pointless to have a bird’s eye view.

The trouble with the whole thing is, because Cumming presumably knew how his work would end up being presented, he has done things which cause the story to suffer. The locations have been chosen more for aerial appeal than for any particular plausibility, and sometimes devices have to be shoehorned in to the plot to justify some showing off, the most notable being the jaw-droppingly bad line “I used to do a bit of roof running in London as a teenager. Once you get the hang of it it’s not too difficult.” Course you did, so now you can run across the roof of Edinburgh Waverley Station, no bother!

I don’t want to disparage the effort that has gone in to this, or the boldness of the thinking - but ultimately, good digital fiction must surely share the key attributes of good analog fiction, namely engaging characters, an imaginative plot and stylish writing. Sadly, The 21 Steps does not manage to transcend its curiosity value and the story is not one that I would have stuck with to the end had I not been writing this review.

Penguin’s naming of the site We Tell Stories seems designed to assert their artistic credentials over their commercial imperatives - but the fact that the six stories are all inspired by Penguin Classics reminds us that Penguin Sell Books too. I await the remaining five with great interest.

Via Shane Richmond at The Telegraph

Bad Paintings of Barack Obama

http://iamchriscollins.com/badpaintingsofbarackobama/images//6.jpg

badpaintingsofbarackobama.com

Testimony - The Autobiography of Margery Wakefield

http://www.andreaharner.com/time-cover.jpg

Margery Wakefield is the author of The Road to Xenu and Understanding Scientology. The manuscript of Testimony was completed in March 1996. In September a copy reached Dean Benjamin, who edited the manuscript for publication and free distribution over the Internet. This document was released on 21 December 1996.

Testimony

The Autobiography of Margery Wakefield
    Prologue
  1. Childhood
  2. College
  3. London
  4. Jenny
  5. Los Angeles
  6. One Billion Years
  7. The Grades
  8. Travels
  9. Marriage
  10. The Wall of Fire
  11. Offloaded
  12. Back to Florida
  13. Breakdown
  14. Back in the Wog World


Read The Road to Xenu online

Or download the PDF

Researchers find remains that support medieval 'vampire'

ITALIAN researchers believe they have found the remains of a female "vampire" in Venice, buried with a brick jammed between her jaws to prevent her feeding on victims of a plague which swept the city in the 16th century.

Venice vampire
Researchers have found the skull of a female 'vampire' buried with a brick in her mouth. Reuters

Matteo Borrini, an anthropologist from the University of Florence, said the discovery on the small island of Lazzaretto Nuovo in the Venice lagoon supported the medieval belief that vampires were behind the spread of plagues like the Black Death.

"This is the first time that archaeology has succeeded in reconstructing the ritual of exorcism of a vampire," Borrini said. "This helps ... authenticate how the myth of vampires was born."

The skeleton was unearthed in a mass grave from the Venetian plague of 1576 - in which the artist Titian died - on Lazzaretto Nuovo, which lies around 3km northeast of Venice and was used as a sanitorium for plague sufferers.

The succession of plagues which ravaged Europe between 1300 and 1700 fostered the belief in vampires, mainly because the decomposition of corpses was not well understood, Borrini said.

Gravediggers reopening mass graves would sometimes come across bodies bloated by gas, with hair still growing, and blood seeping from their mouths and believe them to be still alive.

The shrouds used to cover the faces of the dead were often decayed by bacteria in the mouth, revealing the corpse's teeth, and vampires became known as "shroud-eaters".

According to medieval medical and religious texts, the "undead" were believed to spread pestilence in order to suck the remaining life from corpses until they acquired the strength to return to the streets again.

"To kill the vampire you had to remove the shroud from its mouth, which was its food like the milk of a child, and put something uneatable in there," said Borrini.

"It's possible that other corpses have been found with bricks in their mouths, but this is the first time the ritual has been recognised."

While legends about blood-drinking ghouls date back thousands of years, the modern figure of the vampire was encapsulated in the Irish author Bram Stoker's 1897 novel "Dracula," based on 18th century eastern European folktales.

Scientology Spokesman Confirms Xenu Story

FOR IMMEDIATE RELEASE

3-15-09

Anonymous
Anonymous[at]whyweprotest.net


Scientology Spokesman Tommy Davis Confirms Xenu Story

Los Angeles, CA - After years of dismissing the story as false, Scientology spokesman Tommy Davis has confirmed that the story of mankind's origins involving an alien overlord named Xenu is indeed authentic Scientology teaching.

In the exclusive interview with KESQ News Channel 3 reporter[1], Nathan Baca, Scientology spokesman Tommy Davis was asked about the story of Xenu, known to senior Scientologists as part of "Operating Thetan Level III", or "OT III" for short. Davis denied the story at first (as he has done in the past), stating that these were claims "forwarded by anti-Scientologists."

When Baca began reading from a book written by Scientology founder L. Ron Hubbard that mentions the Xenu story, Davis became defensive, admitting that the story is indeed authentic, but confidential. He then accused Nathan Baca of religious hate, saying that a non-Scientologist asking about Scientology's core beliefs is an "offensive concept", and that Baca was "just forwarding an agenda of hate."

Tommy Davis previously denied the Xenu story, asking CNN reporter John Roberts if it "sounded ridiculous" and saying the story was "unrecognisable" to him[3]. The Xenu story has also been denied by actor Tom Cruise and other famous Scientologists [6]. In that same interview with John Roberts, Davis claimed that anti-Scientology protesters known as "Anonymous" had sent death threats and bomb threats to Scientology "orgs" around the world. When Roberts revealed that the FBI had told CNN that they had no reason to believe Anonymous was responsible for the alleged threats, Mr. Davis stuttered, and claimed that the alleged threats were being investigated by local law enforcement.

The organization is well-known for aggressive public relations and media handling tactics, such as claiming threats of violence against itself. New York journalist, Paulette Cooper, the author of the famous critical book "The Scandal of Scientology", was framed for making bomb threats by Scientology in the 1970's. "Operation Freakout" was revealed by the FBI after raids on Scientology headquarters in Washington and Los Angeles in which were seized detailed plans for the false bomb threats. In 2007, the Church of Scientology in the UK alleged that the BBC sent "terrorist death threats" to the organization[5].

A leaked recording exists of Hubbard giving a lecture[2] on OT III, as well as a hand-written document summarizing the Xenu story written in Hubbard's own handwriting[4]. Hubbard instructed his followers not to mention OT III to any non-Scientologist and Scientologists who themselves have not reached the level, ostensibly because Hubbard wrote that people are liable to fall victim to pneumonia and die if exposed to the Xenu story before they have completed the preparatory steps in Scientology. Scientologists pay up to $350,000 to reach OT III. Those that reach OT III are required to have a safe in their home and to transport the OT III materials in a locked briefcase [7].


About Anonymous

Anonymous is a collective of like-minded individuals that are currently protesting the abuses of the Scientology Organization. For more information, please visit these sites:
http://www.whyweprotest.net/
http://anonstillalive.com/
http://www.anonymousresources.com/

For a summary of the OT III story, check out the Complete OT III Class VIII transcript package: http://www.wikileaks.com/wiki/Scientology_cult_Hubbard_Class_VIII_Xenu_transcripts_1968

Sources:
[1] KESQ News Interview: http://www.kesq.com/Global/story.asp?S=9996728
[2] L Ron Hubbard Audio recording of OTIII (Xenu Story): http://www.bringyou.to/apologetics/HubbardOnXemu.mp3
[3] CNN Interview with Davis on May 8th: http://www.youtube.com/watch?v=58igVWapjR8
[4] OT III documents: https://secure.wikileaks.org/wiki/Church_of_Scientology_collected_Operating_Thetan_documents
[5] BBC Editor Blogs About Scientology: http://www.bbc.co.uk/blogs/theeditors/2007/05/investigating_scientology_1.html
[6] http://atheism.about.com/b/2005/06/24/tom-cruise-denies-xenu.htm
[7] http://www.whyaretheydead.net/krasel/aff_mp89.html

Source: Scoop

Blackmail screen test



Blackmail screen test in which a young Alfred Hitchcock makes Anny Ondra blush (surely she blushed) with his sexual innuendo.

Zappa.com > FZ Official Discography



Frank Zappa’s “Apostrophe”

Hollis Frampton

http://hollisframpton.org.uk/hfmt.jpg
The Metahistorian and the Tool, 1976

"A specter is haunting the cinema: the specter of narrative. If that apparition is an Angel, we must embrace it; and if it is a Devil, then we must cast it out. But we cannot know what it is until we have met it face to face."
Hollis Frampton
A Pentagram for Conjuring the Narrative [PDF]

Insect Woman



The Insect Woman is a 1963 film directed by Japanese director Shōhei Imamura.

Imamura's film is about a woman, Tome, born to a lower class family in Japan in 1918. The film is a metaphor for life in Japan through the middle twentieth century, including World War II. The title refers to an insect, repeating its mistakes, as in an infinite circle. Imamura, with this metaphor, introduces the life of Tome, who keeps trying trying to change her poor life.

Tome is molested from childhood by her stepfather. As a young adult she moves from her rural village to find work in factory, where she engages in an affair with her boss. She works later as a maid, and then as a prostitute.

Throw Away Your Books, Let's Go into the Street



Japanese independent Terayama has a handful of recurrent obsessions, like monstrously tyrannical mothers, flying (as an image of freedom), and the difficulty of losing one's virginity. They're at the heart of this, his first feature, which tells the happy/sad story of an unemployed working class kid struggling towards adulthood. Terayama's extensive experience in Tokyo fringe theatre has led him to distrust 'realism': the movie is framed as a riotous collage of fantasies, digressions, and surrealist shocks, laced with moments of extraordinary pathos and outbursts of quite desirable rock. It's as entertaining and provocative as Ken Russell was in his BBC days.